‘Ello! Kergin here on the west coast, back with another playlist. This time we’re going old school.
Yep, I’m sticking with my theme of doing themes, and this time it’s Canadian bands which have been around awhile. They’ve been fairly well known for a minimum 10 years in all cases. While that may not be THAT long, it’s pretty good in band years. And of course there are a couple that have been around for a lot longer. For the most part these guys still tour to some extent or are producing new music.
While I hope/know readers/listeners will know the majority of tunes on this list, I think it’s important that you look back once in awhile to see where the genres and trends we listen to nowadays came from. Ontario’s working-class rock, Vancouver’s indie-pop history, the East Coast punching above it’s weight class in musicians per a square mile and Toronto trying to push the edge like New York (but not always there); these have all been trends that stretch back decades while always producing new, fresh sounds and faces for the young people to listen to and connect with.
So here we are, reconnecting with some of Canada’s pop culture mainstays and bands that influenced the bands we listen to today.
Welcome to Threat Shark Summer – Playlist #3!
- Sloan – Money City Maniacs
In hindsight this was probably the first Canadian indie-rock song I really got into. Back in the days of cassette tapes this was on Big Shiny Tunes 3. If you don’t know what that is, you probably didn’t grow up in Canada. The wailing siren, the catchy hook, the rock’n’roll vocals, it was made to catch a 12-year-old and say, hey, screw pop music. Ok, so maybe it’s kinda pop-y, but it really struck a chord. And for Sloan it was already midway into there career. The Nova Scotians already had a couple of national hits and are still around now. I got to see them a couple years, and THEY STILL HAVE THE SAME LINE-UP. Very few bands hit 20+ bands, and even fewer keep their original line-up. - The Tragically Hip – Blow At High Dough
Like a list of Canadian rock bands still around could leave out the Hip. This is the standard that any straight ahead rock band is held to in our fine nation. And personally, Blow at High Dough is one of their best. It changes day to day, but today it’s B@HD’s day. The intro (again? Yeah, I only listen to songs for 30 seconds for gapping out) is great, that slow burn, the talking about filming something in his home town, the wailing guitar that isn’t too over the top, it gets the foot tappin’ every time. I loose track of the lyrics half way through, but they work. Gord Downie and the Hip have been around for nearly 30 years and consistently sell out shows, seemingly to have nailed a niche between mainstream pop rock like Bryan Adams and critically appreciated mainstays. - 54-40 – Radio Luv Song
Ok, I’m not a huge fan of 54-40. I saw them once, and it was kinda bland. However, this is most definitely the exception. It sounds like the music was written for some sort of metal song with rock instruments. The screaming guitar solo, the crunchy fast paced rhythm line, the speed metal intro. But then the lyrics and vocals come across like 54-40, and it works. And the lyrics aren’t bad, love the line about the DJ. Another group formed in the early 80’s these guys have been like a less successful, west coast Tragically Hip. Survivors of the 80’s rock scenes are rare though (think about what else came from that era, bleh), so something should be said for them still kickin’ it. - Hawksley Workman – Not Your Parents Music
Mr. Workman (aka Ryan Corrigan) might be the young guy so far, but he’s still got some miles on him. Starting his career in 1998, he’s still got his original line-up too!; it helps that he’s a solo artist… (and yes, I wanted to use that punctuation that way, I think it creates the effect I wanted, an excited half-pause). This is probably the most eccentric track on this list, because it is definitely not your parents’ music. In fact, it seems to be created with the express intent of annoying the middle of the road rock fans that love blah-rock, that boring grey mush that’s popular with people looking for appealing noise to listen to while they work. Is it a surprise I’m a fan of the quirky squeeks and whirls in the middle of the half shouted lyrics with a tinny base line and strange back-up vocals? No, no it isn’t. While the first time I heard him was the kinda risque “Striptease” he’s released plenty more, all with that heavily electrified rock sound, something that he seems to be great at. - Matthew Good Band – Load Me Up
Favourite Music Video EVER! Seriously, I love the vid for this. Hold on, I’m going to go watch it now. Ok, and Matthew Good is such a central player to Canada’s rock scene of the 1990’s and early 2000’s; first as a band (The Matthew Good Band actually did Load Me Up), and now as a solo artist. He’s kinda dropped off the mainstream map a bit as he’s little more mellow with more personal songs. But he’s still got that bit of anger that seemed to drive early success. And how could I not be a fan? A politically aware, soccer-playing, west-coast rock band with an intelligent (if sometimes arrogant) Nickleback hating front man? If I could play music, it probably wouldn’t be too different. Anyways, Load Me Up is as good as anything else he produced in the angry-electric-rock side of things, but he’s got a wide range now. - New Pornographers – My Rights, Versus Yours
Can this be called a super group? Almost, eh? Made up of a bunch of Vancouver residents/musicians, they’ve got some big names included in their line-up, though not always always there. Neko Case would be the biggest name associated with the New Pornographers, but Dan Bejar is there, and a couple of Limblifter’s members. My Rights vs. Yours is such a great indie-pop track, with the bouncy rhythm and friendly vocals, it’s easy to just start listening to the band starting with this track. Maybe not their most critically acclaimed song, but so accessible. - Destroyer – Poor in Love
I just mentioned Dan Bejar up there, and you might be wondering who he is. Perhaps the least known name on this list, Destroyer is (yet another) Vancouver based band, that is essentially Bejar’s solo project. While most of the songs on this list are considered classics from their respective bands past, this is actually off of his most recent release, because I love the lyrics. A kind of shoegaze-electro thing going on here with a mellow backdrop for Bejar’s vocals, it’s got just enough pop in it to appeal to the masses, I think. Compared to a lot of Vancouver’s burgeoning indie pop scene, this is pretty mature, and a nice counter balance to, say, Said the Whale. - Novillero – The Hypothesist
The other lesser known on the list, these guys have been around for nearly 15 years. While the sound is kinda similar to a rambunctious New Pornographers, these guys are out of Winnipeg, but come out of the same era, so maybe something can be said about the end of the 90’s. With a few songs making onto TV and some great performances, it seems these guys should have a bigger name, maybe I missed something horrible they did in the past. They were hobbled a bit by The Waking Eyes, a band which shared members and took off for a bit during the mid-2000s. However, the W.E. have bit the dust and Novillero are still standing, so maybe they’re going back to the cusp. - The Weakerthans – Plea From A Cat Named Virtute
John K. Samson has shown up on a previous Threat Shark list, and if you liked that, then check out his past. The Weakerthans have been a huge name in the Canadian indie scene for years, and while they aren’t really doing much these days, there’s a great back catalogue to go through. It includes a couple genius tracks from the point of view of a cat. A cat named Virtute. In this song Virtute is trying to get his(her?) owner to get out of his funk. With Polaris noms and Juno noms and few more minor award wins, there’s plenty of depth in their playbook, but I prefer the clever lyrics and great concept of a cat wondering what the hell humans see in TV. - Corb Lund – Horse Soldier, Horse Soldier
Corb Lund has been all over the map musically, and that has created one of the most ironic award nominations I’ve scene. Emerging Artist of the Year at the Americana Music Association’s Americana Honors & Awards Show…for 2010. I appreciate that America looking north of the border for their Americana, but emerging might not be the appropriate category. I mean, among the awards he’s been nominated for, there’s even a U.S. Independent Music Award for Country/Bluegrass Album of the Year in 2003. And then there’s a slew of Canadian country, folk, bluegrass, western, roots and traditional nomination and awards dating back 10 years. And he’s been active longer. Lund’s solo work and work with the Hurtin’ Albertans (the touring band he works with) started in 1995, and thats not his origins story. Before he was country, he was a whole lot punk/metal as bassist of the The Smalls, which has it’s own awesome backstory, connected with Vancouver legends punk DOA and a riot in Kamloops. Anyways, enough on Lund’s backstory, I’mma wrap this up with a second animal song, this time recounting humanities connection with horses over the centuries. High points for fitting in the historical terminology and references.
Ok, next time I promise to write shorter. Hopefully you’ll listen to the music, that’s the nugget of this blog, the words, while great (personal opinion flag), are superfluous. And hopefully you’ll’ve learned about Canada’s alt rock and independent music scenes today.